October 19, 2019

Movie Musical Binge

I watch very few movies these days, so I was in Seventh Heaven on the United flight home to Chicago as I binged on three film musicals.

The Greatest Showman absolutely delighted me with lovely music, great acting especially from Hugh Jackman and the over-all art direction of the film. Watching the movie on a small screen was disappointing however, so seeing it again at a movie theater is on my agenda. Music Box Theater are you listening?

I have a special connection to all four A Star Is Born movies which deal with the topic of a couple on opposite fame trajectories. My mother loved black and white movies so the engaging 1937 film starring Janet Gaynor and Fredric March was introduced to me at a very early age.

A Star Is Born (1954) with Judy Garland and James Mason I saw as foreign exchange student at a film revival house in Paris. The vibrant visuals of Technicolor mesmerized me, and English has never sounded so good to me.

Both Barbra Streisand and Kris Kristofferson were idols of mine so the 1976 version was for me, unmissable. The movie soundtrack got heavy rotation on my home stereo as well. Evergreen, the song hit from the movie, was an ear worm at piano bars everywhere.

I did not have high expectations for the 2018 adaptation with Lady Gaga and Bradley Cooper, but I must admit that the film at least goes toe to toe with the 1976 film. Cooper’s singing is surprisingly good but his acting and directing are excellent. What can I say about Lady Gaga? She sings, acts and dances like the super star she is. Her French singing on La Vie En Rose was pretty magnifique, too.

My eyes started to hurt, but on I went to Bohemian Rhapsody, a biopic starring Rami Malek as Queen lead singer, Freddie Mercury. Malek had caught my notice as the intriguing lead in the TV series Mr. Robot, but his embodiment of Mercury went beyond all expectations. Malek has moves! True, his singing voice was electronically mixed with that of Mercury and Canadian singer, Marc Martel throughout the movie, but he goes full throttle with the accent, the teeth prothesis and the sheer physical excitement of a Mercury performance. Be sure to watch the end credits so you can catch Mercury himself in full stage glory.

Like a binge monkey, I started Mary Poppins Returns only to be cut off by the pilot’s voice ten minutes into the movie, noting our imminent arrival to Chicago. Had there been time, I would have finished the Poppins film, gone on to the new Disney Dumbo remake and finished with Rocketman.

When is my next transatlantic flight so I can have another personal music film festival? Note to self: remember to pack eye drops.

Songwriter Tom Lehrer: Biting Wit and Deep Thoughts

Over the years, I would hear mention of the name Tom Lehrer as this legendary songwriter of irreverent and topical tunes such as Poisoning Pigeons In the Park, The Vatican Rag, or National Brotherhood Week. Nor can one forget Buddy Charles’ stupendous rendition of Masochism Tango or the droll Hannukah in Santa Monica, a non-Christian holiday standard.

Lehrer’s popularity in the 1950s and 1960s included LP sales and writing music for the television show, That Was the Week That Was. Lehrer shifted his focus to teaching academic mathematics and musical theater in the early 1970s at places like MIT, Harvard, Wellesley and the University of California at Santa Cruz.

He was definitely a man of many interests having worked at Los Alamos Scientific Laboratory, enlisting in the military and doing a work stint for the NSA.

His relatively small catalogue of songs is still relevant today. Lehrer is now 91 years old. Isn’t it high time we start a tidal wave of interest in his material? Shame on me because I don’t currently have any of his songs in my repertoire, but hope to rectify that soon.

My friend Lydia Stux gave me this link of Lehrer performing a special concert in Denmark. He has this nerdy charm, with his horn-rimmed glasses and his surprisingly good singing and playing.

Enjoy: https://www.youtube.com/watch?v=QHPmRJIoc2k

Les Misérables at Cadillac Palace Theater

Les Misérables is back for a brief run at the Cadillac Palace in a lovely Cameron Mackintosh production of the now classic musical.

1980 was the year of the Paris premiere, with a French libretto and score by Alain Boublil, Claude-Michel Schonberg, Herbert Kretzmer and Jean-Marc Natel. With the original creators, James Fenton, Trevor Nunn and John Caird adapted the book and lyrics into English for a London production in 1985. The show made its Broadway debut in 1987. Audiences have been going to the theater world-wide to watch people be miserable in song ever since.

This production boasts scenery, lighting and costumes that are inspired by the paintings of Victor Hugo, the author of the French literary epic. The familiar score is ably sung by the cast.

Let me add a word on the vocal style. The cast members are basically using a hybrid of classical singing and Broadway belt which can sometimes be over-amplified and harsh sounding. This is the fashion of musical theater today however. Down the road, I would love to hear a production of Les Misérables with operatic performers using a bel canto approach.

Many people wrongly assume that the musical is set during the French Revolution which started in 1789. A guy named Napoleon ruled from 1804 to 1814. The play starts in 1815 and culminates in the June Rebellion of 1832 when many of the play’s characters are killed in a street conflagration. Boublil and Schonberg actually wrote an earlier musical called La Revolution Francaise which played in Paris in the early 1970s. My French history nerd persona is showing. Pardon me!

If you like or even love Les Misérables, this production would be a worthy use of your time and money. Through July 27, 2019.

Next up at the Cadillac Palace Theater are:
Come From Away, July 30 through August 18,
followed by The Band’s Visit, September 3 through 15.

www.broadwayinchicago.com/show/les-miserables/

Younger on Hulu and TV Land

My current guilty-pleasure tv jones is the comedy series, Younger, broadcast on TV Land but streaming now on Hulu.

The Broadway triple threat, Sutton Foster plays Liza Miller, a 40-year-old New Jersey mother who splits from her husband of two decades to create a new life for herself in Brooklyn. Trying to get a job in publishing as middle-aged mom, long out of the game, proves nigh impossible, so Miller creates a 26-year-old persona who promptly gets an entry level job at Empirical Publishing. Her demanding boss, Diana Trout played by the hilarious Miriam Shor has her schlepping coffee and dry-cleaning.

Her besties include Debi Mazar, an OWL (older wise lesbian) who lets her crash in her artsy loft apartment, and Kelsey Peters, a twenty-something co-worker at the publishing company played by Disney actress/singer Hilary Duff. The men in her life (besides the ex who just can’t let go), are the tall and handsome Peter Hermann cast as the middle-aged owner of the publishing house, Charles Brooks and Josh, a 26-year-old tattoo artist hipster played by the buff ink-decorated Nico Tortorella.

Her 40-year-old self frequently collides with her new mid-twenties life as she valiantly switches clothing, speech and demeanor to suit the situation. I learn something new about pop culture and slang with every episode. (What IS a meme?) Thanks to interesting side characters and a plot that keeps evolving, this is no one joke sit-com.

The episodes are 21 minutes long so binge-watching two or three episodes in a sitting is a little too easy. Season 6 was made available on Hulu June 12, 2019. You won’t always buy the improbable situations, but this is the perfect fluff when your brain cells don’t need too much of a work-out.

You might also get to see some theater-heavy guest stars like Kristin Chenoweth, Martha Plimpton, Christian Borle, Laura Benanti, Kathy Najimy, Camryn Manheim and Lois Smith.

The Show Must Go On at Davenport’s, Sat., Feb. 2

Edelfelt and Doyle in DeLovely: A Cole Porter Tribute will be joined by world class guitarist John Moulder along with bass player Andy Danckers and drummer Ed Koehler

Our sold out show in November convinced us that we had to do this special program again. In the interim, I broke my wrist last Friday, but what better antidote for pain is there than timeless MUSIC?

This is a unique show that allows David and Elizabeth to both show their vocal and piano skills in solos and duets. Many of these numbers were performed by Doyle and Edelfelt with Charles Troy at the Elkhart Jazz Festivals of 2017 and 2018. Every song in the show contains either Porter’s brilliant wit or his deep knowledge of human emotion. There are songs you will recognize and some lesser known gems, plus Edelfelt’s clever parody lyrics on a couple of selections. Spoiler alert: there is one song with Porter lyrics, married to the lovely music of Chicago-born Ann Hampton Callaway.

Elizabeth & David with Charles Troy at the Elkhart Jazz Festival

The stage will be a little tight since we felt the show would benefit from having bass and drums provided by the wonderful Andy Danckers and Ed Koehler respectively. Because Elizabeth does not currently have use of her right hand, guitar wizard John Moulder has kindly agreed to augment our musical band to five.

Check him out at: https://johnmoulder.com/

Snow, ice and cold weather will be very far away in Davenport’s back room as you bask in the musical glory of Cole Porter, lovingly sung and played by Edelfelt, Doyle and cohorts. Here is your invitation to make reservations now.

http://davenportspianobar.com/events/elizabeth-doyle-and-david-edelfelt/

The Steadfast Tin Soldier at Lookingglass Theatre

If you have time for just one piece of live performance this holiday season, you may want to strongly consider The Steadfast Tin Soldier at Lookingglass Theater. Billed as a Christmas pantomime, the 60-minute almost wordless presentation is based on the famous Hans Christian Anderson fairy tale of the same name.

Acclaimed director Mary Zimmerman has created a gorgeous short work that depends primarily on wordless physical expression by very accomplished actors. By turns heart-wrenching and hilarious, this play should entertain both young and old alike.

The theater is located in Chicago’s iconic Pumping Station across the street from the old Water Tower and the similarly-named shopping mall. No small wonder that there were lots of out-of-towners speaking other languages the night I saw Steadfast. There were also many adults with kids and even some three generation families taking photos in the lobby.

Get there early so you can see fantastical creatures periodically open the small windows of a gigantic Advent calendar. We also see four powdered-wig musicians take up their instruments in the small pit in front of the stage.

The only point of discussion concerned a final song that for some broke the spell of the pantomime. I surmise that Lookingglass wanted to end the show on a positive note and thought an uplifting ditty would do the trick. I thought the song functioned well but my viewing partner disagreed.

Still and all, for a memorable 2018 holiday experience that may give you a rest from The Nutcracker or A Christmas Carol, The Steadfast Tin Soldier might be just the ticket.
Lovely instrumental music, creative costumes, an inventive period set, brilliant physical acting and a timeless tale curated by Mary Zimmerman. Who could ask for anything more during a cold December?