August 20, 2019

Les Misérables at Cadillac Palace Theater

Les Misérables is back for a brief run at the Cadillac Palace in a lovely Cameron Mackintosh production of the now classic musical.

1980 was the year of the Paris premiere, with a French libretto and score by Alain Boublil, Claude-Michel Schonberg, Herbert Kretzmer and Jean-Marc Natel. With the original creators, James Fenton, Trevor Nunn and John Caird adapted the book and lyrics into English for a London production in 1985. The show made its Broadway debut in 1987. Audiences have been going to the theater world-wide to watch people be miserable in song ever since.

This production boasts scenery, lighting and costumes that are inspired by the paintings of Victor Hugo, the author of the French literary epic. The familiar score is ably sung by the cast.

Let me add a word on the vocal style. The cast members are basically using a hybrid of classical singing and Broadway belt which can sometimes be over-amplified and harsh sounding. This is the fashion of musical theater today however. Down the road, I would love to hear a production of Les Misérables with operatic performers using a bel canto approach.

Many people wrongly assume that the musical is set during the French Revolution which started in 1789. A guy named Napoleon ruled from 1804 to 1814. The play starts in 1815 and culminates in the June Rebellion of 1832 when many of the play’s characters are killed in a street conflagration. Boublil and Schonberg actually wrote an earlier musical called La Revolution Francaise which played in Paris in the early 1970s. My French history nerd persona is showing. Pardon me!

If you like or even love Les Misérables, this production would be a worthy use of your time and money. Through July 27, 2019.

Next up at the Cadillac Palace Theater are:
Come From Away, July 30 through August 18,
followed by The Band’s Visit, September 3 through 15.

www.broadwayinchicago.com/show/les-miserables/

Manet and Modern Beauty at the Art Institute of Chicago

You might think that yet another art show on a French Impressionist would be a missable event, but the Art Institute’s exhibit, Manet and Modern Beauty should change your mind.

It has been over 50 years since the AIC has done a solo show on Edouard Manet and the curators have wisely honed in on his later years. Ill health and less mobility may have caused him to turn to smaller canvases and more intimate subjects like feminine beauty with pastels and water colors joining his use of oils.

I loved a small transitional room featuring live plants, a lovely view of the green foliage outside of the museum and a wall of photos depicting Manet’s social network. Unbeknownst to me, female artist Berthe Morisot was his sister-in-law.

His letters on display are filled with delightful images of flowers, fruits and beautifully dressed women. We also get to see unfinished works that allow the viewer to get glimpses of his creative process. The exhibit is punctuated with his larger oil canvases as well. A final room of his flower paintings is like the dessert course to this satisfying artistic meal.

All children under 14 and Chicagoans under age 18 are admitted free. Illinois residents gain free admittance Thursdays from 5 pm to 8 pm when the museum is open later.

https://www.artic.edu/exhibitions/2822/manet-and-modern-beauty

The Show Must Go On at Davenport’s, Sat., Feb. 2

Edelfelt and Doyle in DeLovely: A Cole Porter Tribute will be joined by world class guitarist John Moulder along with bass player Andy Danckers and drummer Ed Koehler

Our sold out show in November convinced us that we had to do this special program again. In the interim, I broke my wrist last Friday, but what better antidote for pain is there than timeless MUSIC?

This is a unique show that allows David and Elizabeth to both show their vocal and piano skills in solos and duets. Many of these numbers were performed by Doyle and Edelfelt with Charles Troy at the Elkhart Jazz Festivals of 2017 and 2018. Every song in the show contains either Porter’s brilliant wit or his deep knowledge of human emotion. There are songs you will recognize and some lesser known gems, plus Edelfelt’s clever parody lyrics on a couple of selections. Spoiler alert: there is one song with Porter lyrics, married to the lovely music of Chicago-born Ann Hampton Callaway.

Elizabeth & David with Charles Troy at the Elkhart Jazz Festival

The stage will be a little tight since we felt the show would benefit from having bass and drums provided by the wonderful Andy Danckers and Ed Koehler respectively. Because Elizabeth does not currently have use of her right hand, guitar wizard John Moulder has kindly agreed to augment our musical band to five.

Check him out at: https://johnmoulder.com/

Snow, ice and cold weather will be very far away in Davenport’s back room as you bask in the musical glory of Cole Porter, lovingly sung and played by Edelfelt, Doyle and cohorts. Here is your invitation to make reservations now.

http://davenportspianobar.com/events/elizabeth-doyle-and-david-edelfelt/

Le Chalet, French tv suspense series on Netflix

The French are noted for their romantic comedy movies, but a six-episode series on Netflix called Le Chalet highlights the Gallic penchant for murder mysteries.

An accident occurs which destroys the bridge to civilization, setting up a Ten Little Indians scenario as bodies begin to pile up. The screen play does not rival vintage Hitchcock, but plot lines concerning greed, rape, revenge, hidden identities and murder keep the viewer engaged.

The acting is generally excellent, but I was delighted to see three actors from the French Village series in this production as well. Nicolas Gob who was collaborating cop Jean Marchetti on FV is the bully/villain of The Chalet, while Thierry Godard and Nade Dieu play smaller but key roles in this 2017 tv program.

The cinematography is eye-popping, having been filmed in a picturesque village in the French Alps.

My only quibble is the alternation of scenes from present day and those of twenty years ago. Most of the time, it’s clear what time period we are seeing but every so often, one has to puzzle out the past from the present.

Kudos go to Netflix for carrying foreign tv material, especially shows with suspense and high production values like Le Chalet. As the tagline says in French, “When Stephen King meets Agatha Christie” which is quite apt.

Divas Lynne Jordan, Ty Cooper, Claudia Hommel and Elizabeth Doyle at Open Door Theater this Saturday night! Joined by bassist Jim Cox.

Our theme is April In Paris, but our show will be packed with variety. We have blues, jazz standards, originals, spoken-sung story songs and French/English classics all done by the amazing Lynne Jordan, Ty Cooper, Claudia Hommel and yours truly, Elizabeth Doyle. Bass player, Jim Cox adds a little musical testosterone.

For tickets to April In Paris at the Open Door Theater:

http://www.opendoortheater.net/tickets-calendar

If you have not experienced the Open Door Theater, you are in for a treat. People have said it’s an intimate jewel of a theater with good acoustics and close-up sight lines for all audience members. The Theater sponsors comedy troupes, theatrical productions and music events so come check it out. Saturday night would be the perfect time!
April In Paris? No, April in Oak Park!

To find out more about the Open Door Theatre in Oak Park, please visit: http://www.opendoortheater.net/

Blossom Dearie and Bob Dorough

At the passing of singer-songwriter Bob Dorough, known for writing jazz standards and music for Schoolhouse Rock, it is worth noting his connection to Blossom Dearie who would have been 94 this week, the same age of Dorough who died this past week.

Dearie moved to Paris in 1952 and sang in a jazz vocal group called the Blue Flames with Michel Legrand’s sister, Christiane and none other than Bob Dorough. They had a hit with a French version of Lullaby of Birdland arranged by Michel Legrand.

Rocket ahead a couple of decades, and you find Dorough and Dearie working together again on Schoolhouse Rock which was initially broadcast on tv from 1973 to 1985. Blossom sang songs written for the educational show by Dorough: Mother Necessity, Figure Eight and Unpack Your Adjectives.

I recently heard her a handful of Dearie recordings on the Amazon show, The Marvelous Mrs. Maisel. That ethereal voice of Dearie lives on!

And if you were wondering where she got that distinctive name, someone delivered peach blossoms to their home on the day of her birth 94 years ago. Blossom was her middle name but it became part of her stage name. Dearie passed in 2009 at age 85.

Several years back, I took a songwriting seminar with Bob Dorough at the Old Town School of Folk Music. Dearie came in to see me perform at the Pump Room when she was in Chicago for a gig. Dorough and Dearie were both consummate performers and songwriters. I was blessed to have met and admired both of them.