January 17, 2020

Andy Warhol – From A to B and Back Again at AIC

The Art Institute is presenting a major retrospective of the varied works of Andy Warhol. The exhibition features not only his large canvas works, but his early ad work, his drawings, his films, his television presentations, his sculpture and his collaborative art with the much younger artist, Basquiat. This is indeed a comprehensive look at his entire career.

Although he is best known for his brightly colored photo portraits of celebrities like Marilyn Monroe, Liza Minnelli, Muhammed Ali, Elvis, Elizabeth Taylor and Mao, it is perhaps his ”Death and Disaster” images that I found the most disturbing and thought-provoking. Car crashes, race riots, electric chairs and images of a widowed Jackie Kennedy seem to reflect how Warhol saw the turbulent mid-1960s.

As for the exhibition design, I love how the AIC has made wall cut-outs that let the observer see into other rooms, provided a mini-movie theater to view Warhol films and installed several small screens to view his television shows. The exhibit vestibule featuring his photos of famous people is a fitting beginning and ending to this homage to Andy Warhol.

A painter friend sniffed that using a print of DaVinci’s Last Supper and placing camouflage over it is hardly art, but nonetheless, Warhol has certainly had much more than the proverbial “15 minutes of fame”.

Art Institute of Chicago
111 South Michigan Avenue, Chicago, IL 60603

https://www.artic.edu/exhibitions/2937/andy-warhol-from-a-to-b-and-back-again

Through January 26, 2020

Cafe Sabarsky/Neue Galerie in NYC: A Little History

Although I have not yet visited Cafe Sabarsky and the Neue Galerie on New York City’s Upper East Side, I did a little research on this storied venue.

Art dealer and museum organizer Serge Sabarsky and entrepreneur, philanthropist and art collector Ronald S. Lauder discovered a common interest in German and Austrian art and culture of the early 1900s. After Sabarsky’s death, Lauder created Neue Galerie in 2001 to honor his friend.

Located on New York’s Museum Mile, 5th Avenue from 83rd Street to 105th, Neue Galerie is the former William Starr Miller mansion at 86th Street.

The second floor is dedicated to Austrian work of the early 1900s from the Wiener Wekstätte movement and by luminaries such as Gustav Klimt, Oskar Kokoschka and Egon Schiele. Third floor contains work from the same time period by the Bauhaus movement and artists that include Wassily Kandinsky, Paul Klee, Ernst Ludwig Kirchner, Lyone Feininger, Otto Dis and George Grosz.

The museum campus includes a bookstore, a design shop and two Viennese restaurants, Cafe Sabarsky and Cafe Fledermaus.

Cafe Sabarsky features light fixtures by Josef Hoffmann, furniture by Adolf Loos and banquettes upholstered with a 1912 Otto Wagner fabric. Periodic cabaret evenings and chamber music concerts benefit from the on-site Bösendorfer grand piano.

Here is a link for Cafe Sabarsky:

kurtgutenbrunner.com/restaurants/cafe-sabarsky/

For more info on the Neue Galerie:

https://www.neuegalerie.org/

Père Lachaise Cemetery: A stroll through time

Five of us Cabaret Connexion singers had just seen the Van Gogh Art Immersive Exhibit in Paris and noticed Paris’ famous final resting place, Père Lachaise Cemetery nearby. It was a beautiful fall day so we agreed to wander amid the shady trees and ornate crypts and graves in search of a few artistic ghosts.

I had been to Père Lachaise years ago but this was before cell phones and the internet so I wandered fruitlessly, unable to find most of the famous grave sites. As luck would have it, three Cuban ladies in front of us were being led by a small man who seemed most knowledgeable about the environs. We started to tag along, after asking if we could join them.

It turns out that Paul, the man in question, was a volunteer docent who lived in the neighborhood and knew Pere Lachaise like the back of his hand. Off we trotted to see some of the most famous graves.

The cemetery is large so we had to cover a lot of beautiful terrain in between burial spots. I was able to touch the memorial with Chopin’s remains, although his literal heart remains in Poland. I gazed with bemusement at the gift-strewn Jim Morrison grave, and nodded with appreciation at the memorials to Moliere, Honore de Balzac and other literary luminaries. Some of my personal favorites were artist Modigliani, singer-songwriter Gilbert Bécaud, mime Marcel Marceau and beloved author Colette.

Some tombs and crypts are ancient and falling apart, but others are decidedly new. Our guide pointed out more recent head stones with colored photos embedded, most notably victims of the Bataclan and Charlie Hebdo bombings. A promenade through this restful place is a journey through culture and history.

The highlight of our walk was the tomb of Edith Piaf where we serenaded her with La Vie En Rose. Passersby were filming our little Cabaret Connexion group so our homage to the Little Sparrow may be floating in the electronic ether somewhere.

As our time ran short, I thought with regret of the many other grave sites I had wanted to visit, Oscar Wilde, Abelard and Heloise, Sarah Bernhardt and countless others. Having a guide made this a much more gratifying afternoon experience so we gratefully tipped him at the end of our afternoon.

Paris Greeters, link below, has people available to lead you through Pére Lachaise although this may not be the organization of our wonderful and knowledgeable guide, Paul. We never even got his last name.

This famous cemetery is like the Louvre Museum; don’t try to catch all of the highlights in a frenzy. Take your time and really experience the few things that you do see. Bonne chance.

Link to the full roster of people buried at Pere Lachaise: https://en.wikipedia.org/wiki/List_of_burials_at_P%C3%A8re_Lachaise_Cemetery

Paris Greeters: https://greeters.paris/en/

Au Lapin Agile, a trip back in time to a quintessential Parisian cabaret

Cabaret can mean two things in Paris. If you are looking for topless women, champagne, feathers and lots of glitz, head for the Moulin Rouge, Lido de Paris or Crazy Horse and their glamourous ilk in Montmartre.

If you want something less expensive, very musical and a little bit retro, head for Au Lapin Agile for “poèmes et chansons (poems and songs)” and shots of cherry house wine.

Cassita, resident chanteuse Au Lapin Agile

Lapin Agile Owner Yves Mathieu

There is a resident group of professional singers who lead group sing-alongs and perform mini-sets of their own throughout the evening. Everything is in French but those who do not speak the language can enjoy the familiar melodies and soak up the timeless atmosphere with paintings covering the walls as they sit at wood tables that very well may be ancient.

The little house cabaret has existed since 1860 when it was first named Rendezvous for Thieves followed by Cabaret for Assassins.

In 1875, Artist Andre Gill painted a rabbit jumping out of a sauce pan thereby giving the venue its new name, Gill’s Rabbit. Before 1900, the title evolved into the Agile Rabbit or Au Lapin Agile, a delightful historical play on words.

The great cabaret artist Aristide Bruant (immortalized by Toulouse Lautrec) bought the club after the turn of last century and created a meeting place for struggling yet creative luminaries such as Picasso, Modigliani, Apollinaire and Utrillo.

Some of the current excellent performers include Patrice and Oona, a singer-songwriter duo, singer guitarist Gerard Caillieux, baritone Frédéric, the son of the current owner, Jean-Claude Orfali, pianist extraordinaire and Cassita, a clarion-voiced accordionist who summons up the spirit of Piaf.

If you want to brush up on your French before a visit, here is a page of lyrics from group songs sung at Au Lapin Agile.

au-lapin-agile.com/paroles/

This September, Au Lapin Agile was kind enough to let us bring Cabaret Connexion 2019 to their venue on their off night. David Edelfelt and I presented our Porter in Paris show with guest stars Jacques Protat, Jean-Jacques DeLaunay and Ava Logan, followed by Paris Qui Chante featuring Christine Steyer, Jean-Claude Orfali, Mylène Launay, Maryline Rollet, Francoise Miran and resident chanteuse Cassita. Angelina Réaux, Claudia Hommel and Anne and Mark Burnell were guest stars in the regular Friday show later in the week.

David & Elizabeth playing at Lapin Agile 9-19

A few words of advice, use the restroom before you are seated because making that trip once the show has started is problematic. If you want a beverage besides the cherry wine, order that at the beginning of your evening. For those who have trouble sitting on hard benches, opt for one of the banquette seats lining the walls.

The current owner since 1972, host and singer Yves Mathieu and his family have been have keeping the flame alive by including French song favorites from the last hundred years all the way back to folk songs from the 15th century. Bravo, Yves and family!

For the real heart of Montmartre and perhaps of musical Paris, an hour or four at Au Lapin Agile is what the doctor prescribes.

Tuesday to Sunday, 9pm-1am
Cash payments only
22 Rue des Saules, 75018 Paris France

Here is the English site for visitors, but the French site has more info.

au-lapin-agile.com/1-au-lapin-agile-anglais/

au-lapin-agile.com

Glessner House Courtyard concert on Sept. 25

I recently played a concert in the Glessner House courtyard with bass player Jim Cox. The evening was so lovely that I wanted to let people know about the second show I will be doing with guitarist John Papodolias on Wednesday, September 26 from 6 pm to 8 pm.

Attendees bring their own food, beverages, blankets and lawn chairs. It’s like a mini-Ravinia experience with Italian white lights strung across the Glessner House courtyard giving a soft glow to the atmosphere.

The cover charge is $10 per person and that also includes a tour of the museum after the show if desired. How could you pass up a chance to see Glessner House at night without crowds?

A little about Glessner House which is one of the understated gems in the city. William Tyre, executive director and curator of the museum has worked tirelessly for 12 years to provide a historical and architectural experience like no other.

John Jacob Glessner (an industrialist involved with the beginning of International Harvester) and his wife, Frances hired notable Chicago architect H. H. Richardson to design them a stunning home in the Prairie Avenue district, south of Chicago’s Loop. Completed in 1887, the 17,000 square feet of space looks like a fortress from the exterior, but feels cozily intimate inside. The owners of Victorian homes must have looked a bit askance at this forerunner of more modern Chicago architecture by Frank Lloyd Wright, Louis Sullivan and Mies Van der Rohe.

My outdoor live music event would be a great way to experience the Glessner House, but a visit any time of the year is a must for anyone interested in Chicago history or architecture. Locals and people from all over the world find their way to this architectural masterpiece. Join them!

www.glessnerouse.org

Songwriter Tom Lehrer: Biting Wit and Deep Thoughts

Over the years, I would hear mention of the name Tom Lehrer as this legendary songwriter of irreverent and topical tunes such as Poisoning Pigeons In the Park, The Vatican Rag, or National Brotherhood Week. Nor can one forget Buddy Charles’ stupendous rendition of Masochism Tango or the droll Hannukah in Santa Monica, a non-Christian holiday standard.

Lehrer’s popularity in the 1950s and 1960s included LP sales and writing music for the television show, That Was the Week That Was. Lehrer shifted his focus to teaching academic mathematics and musical theater in the early 1970s at places like MIT, Harvard, Wellesley and the University of California at Santa Cruz.

He was definitely a man of many interests having worked at Los Alamos Scientific Laboratory, enlisting in the military and doing a work stint for the NSA.

His relatively small catalogue of songs is still relevant today. Lehrer is now 91 years old. Isn’t it high time we start a tidal wave of interest in his material? Shame on me because I don’t currently have any of his songs in my repertoire, but hope to rectify that soon.

My friend Lydia Stux gave me this link of Lehrer performing a special concert in Denmark. He has this nerdy charm, with his horn-rimmed glasses and his surprisingly good singing and playing.

Enjoy: https://www.youtube.com/watch?v=QHPmRJIoc2k