October 19, 2019

Movie Musical Binge

I watch very few movies these days, so I was in Seventh Heaven on the United flight home to Chicago as I binged on three film musicals.

The Greatest Showman absolutely delighted me with lovely music, great acting especially from Hugh Jackman and the over-all art direction of the film. Watching the movie on a small screen was disappointing however, so seeing it again at a movie theater is on my agenda. Music Box Theater are you listening?

I have a special connection to all four A Star Is Born movies which deal with the topic of a couple on opposite fame trajectories. My mother loved black and white movies so the engaging 1937 film starring Janet Gaynor and Fredric March was introduced to me at a very early age.

A Star Is Born (1954) with Judy Garland and James Mason I saw as foreign exchange student at a film revival house in Paris. The vibrant visuals of Technicolor mesmerized me, and English has never sounded so good to me.

Both Barbra Streisand and Kris Kristofferson were idols of mine so the 1976 version was for me, unmissable. The movie soundtrack got heavy rotation on my home stereo as well. Evergreen, the song hit from the movie, was an ear worm at piano bars everywhere.

I did not have high expectations for the 2018 adaptation with Lady Gaga and Bradley Cooper, but I must admit that the film at least goes toe to toe with the 1976 film. Cooper’s singing is surprisingly good but his acting and directing are excellent. What can I say about Lady Gaga? She sings, acts and dances like the super star she is. Her French singing on La Vie En Rose was pretty magnifique, too.

My eyes started to hurt, but on I went to Bohemian Rhapsody, a biopic starring Rami Malek as Queen lead singer, Freddie Mercury. Malek had caught my notice as the intriguing lead in the TV series Mr. Robot, but his embodiment of Mercury went beyond all expectations. Malek has moves! True, his singing voice was electronically mixed with that of Mercury and Canadian singer, Marc Martel throughout the movie, but he goes full throttle with the accent, the teeth prothesis and the sheer physical excitement of a Mercury performance. Be sure to watch the end credits so you can catch Mercury himself in full stage glory.

Like a binge monkey, I started Mary Poppins Returns only to be cut off by the pilot’s voice ten minutes into the movie, noting our imminent arrival to Chicago. Had there been time, I would have finished the Poppins film, gone on to the new Disney Dumbo remake and finished with Rocketman.

When is my next transatlantic flight so I can have another personal music film festival? Note to self: remember to pack eye drops.

Deadwood on HBO, the series and the new movie

My father was a U. S. Attorney for 8 years and had to spend summers in Deadwood, South Dakota for federal court sessions. Our family benefited by spending weeks exploring the whole Black Hills area, Mount Rushmore, the Badlands, Hot Springs, Hill City with its coal train locomotive and horseback riding being some of the attractions.

The real draw for me on these trips was the town of Deadwood with its storied past as a gold rush town, a gambling mecca and the place where Wild Bill Hickok was murdered by the infamous Jack McCall.

Show creator of Deadwood, David Milch set the HBO series in the time period when the lawless town was literally being mined for profit and being dragged into the orbit of government and civilization.

The excellent cast of Deadwood reads like an impressive who’s who of future tv shows. Timothy Oliphant subsequently added Justified and Santa Clarita Diet to his resume. Anna Gunn as his school-teacher wife went on to play the beleaguered spouse in Breaking Bad. Ian McShane as the town underworld boss has been seen in American Gods, Ray Donovan and Game of Thrones. Mollie Parker went on to House of Cards and Goliath. Paula Malcomson played Katniss’ mother in the Hunger Games movies. Kim Dickens and Garret Dillahunt both have been in Fear the Walking Dead. William Sanderson as Mayor and hotel owner E. B. Farnum plays a quirky sheriff in True Blood. Titus Welliver has done stints in The Good Wife, Sons of Anarchy and Bosch. Seasoned actor Powers Booth has been recently seen in Nashville and Agents of S. H. I. E. L. D. Calamity Jane played by Robin Weigert recently popped up as a therapist on Big Little Lies. And I have not even touched upon the guest stars.

I make special note of Keith Carradine who is a wonder to behold as Wild Bill Hickok and Gerald McRaney as powerful bad guy, George Hurst.

The language is as raw as I remember. Four letter words and graphic scenes of sex and violence abound. This is unique dialogue that gives a nod to the time period and allows the characters to use the rough and raw words of whore houses, gambling dens and booze joints.

As you may have noticed, streaming services are revisiting series that still hold interest for viewers. In the case of Deadwood: The Movie (May 2019), David Milch picks up the story ten years after the end of the original series.

While I loved communing with these characters again and loose ends are indeed tied, the film was not of the same artistic quality of the series. By all means, watch this ground-breaking remarkable series as a newcomer or as a repeat customer. The Movie may be optional.

Just remember, aces and eights are the dead man’s poker hand. At least in Deadwood.

Crazy Rich Asians Book and Movie

Book clubs have been caught up in Kevin Kwan fever with his trilogy of novels, Crazy Rich Asians, China Rich Girlfriend and Rich People Problems.

Janet Maslin of the New York Times used the adjectives “snarky,,, wicked… funny” in her review. “Escapist” is the word I would use. Who doesn’t want to imagine what being a billionaire is like with private jet travel, unlimited shopping budgets and eye-poppingly lavish parties for one’s friends and family?

Rachel Chu unwittingly starts dating the fabulously wealthy heir to a Singapore fortune. She thought her boyfriend was merely a fellow middle class college professor in New York. A visit to his home country quickly makes it clear that his family and social set do not consider her “wealthy Asian” enough for their handsome financial prince.

After a successful run in theaters, Crazy Rich Asians, the movie, is currently streaming on several web platforms. The film does a decent job of capturing the humor and lightness of the first book making it the perfect weekend entertainment after a hard week at the salt mines. We get to see the Asian one percent frolic which gives another layer of escapist exoticism.

A literary devotee sniffed that the writing was not very good, but I say, that is not the point. A soap opera plot, interesting characters and a foreign setting are the selling points in both the three books and the one film. There will always be high demand for movies and novels that don’t take themselves too seriously.

Bring on the caramel corn and fizzy blush wine.

The Iron Giant, an animated classic

I was nosing around for a movie that might appeal to family members of varied interests. The Iron Giant, a 1999 animated film hit the jackpot.

This was Brad Bird’s first directorial outing and was not deemed a financial success at the time. Thankfully, he continued working and has added movies like The Incredibles 1 and 2, Ratatouille and Mission: Impossible – Ghost Protocol to his catalogue.

Due to DVD distribution and streaming, this almost 20-year-old animated work has arrived at cult status and rightfully so. The animation looks like it was done by a Japanese manga artist and a really quirky comic book illustrator. The voice-over actors include the late John Mahoney, Vin Diesel, Christopher McDonald, Harry Connick Jr., Eli Marienthal and Jennifer Anniston. Even Cloris Leachman has a bit role.

There are definitely two tracks to the production, one a basic “boy helps monster” plot line for kids, and an adult deeper examination of prejudice, fear of the Russians, secret government doings, guns and war. Brad Bird manages to entertain both age groups with wit, artistry and heart.

The Iron Giant deserves wider acclaim. This 1999 animated feature is currently streaming on Netflix.

Coco, the movie on Netflix

I’m frequently behind in my movie viewing since I wait until films are released on streaming services. I recently caught Coco, an animated film produced by Pixar and released by Disney on Netflix. All I can say is, “Why did I not catch this masterpiece in the movie theater?!”

The art direction is simply stupendous with its riotous colors and images that evoke Hispanic Culture’s Dia de los Muertos, or Day of the Dead. Lee Unkrich (Toy Story 3) came up with the story idea and co-directed the film with Adrian Molina. They get an A+ for allowing non-Latinos and Latinos alike to view Hispanic culture through the eyes of 12-year-old Miguel who is mistakenly sent to the underworld. He meets his musician great great-grandfather who helps him get back to the land of the living.

The music buff in me loves the song “Remember Me” which is artfully woven throughout the movie, but it is the central theme of family and remembrance that really hits the right chord for me.

Anthony Gonzalez is the young Miguel and Gael Garcia Bernal (Mozart in the Jungle) plays his new pal who tricks him into visiting the world below. Most of the excellent voice-over actors are not household names, aside from Benjamin Bratt as Ernesto de la Cruz, Miguel’s musical idol. Edward James Olmos is cast as the forgotten Chicharron who disappears from the Land of the Dead. Even Cheech Marin has a small role as a Corrections Officer.

If Coco shows up at a nostalgia movie theater, run at your earliest opportunity to catch it. Until then, view it on Netflix with those you love. Have your Kleenex at the ready. Happy Dia de los Muertos which starts on October 31st.

Ladybird Movie on Amazon Prime

The streaming services seem to be competing for rights to current popular movies. When I say current, I may mean LAST year’s Oscar contenders. It takes me a year or more to get to some of the box office hits or indie film critical darlings and then figure out where I can watch them.

Currently on Amazon Prime, Ladybird was not only in Time magazine’s top ten movie picks of 2017, but the film garnered $78 million at the box office on a budget of $10 million. It received 5 Oscar nominations including Best Picture, Best Actress, Best Supporting Actress, Best Original Screenplay and Best Director.

Greta Gerwig was the director who wrote and directed this charmer about a Californian teen coming of age in 2002. Hurrah for yet another woman making it into the Oscar Best Director category.

The most priceless scene in the movie is between Saoirse Ronan playing high school senior “Ladybird” McPherson who abruptly ends an argument while her mother, Marion (played by Chicago actress, Laurie Metcalf) is driving her in a car. In fact, there is a major Steppenwolf Theater connection with ensemble regulars Metcalf, Tracy Letts and Lois Smith also appearing in the film, along with Stephen McKinley Henderson, another stellar New York theater actor who is notable for his work in August Wilson plays.

There is a definite independent flavor to “Ladybird” but it strikes many universal chords. We watch this precocious teen try to make sense out of financial and cultural inequity, her own identity versus that of her parents and her desire to spread her wings beyond what her family can conceive for her. Strong on humor, this is the perfect weekend movie to arm twist one’s significant other into watching. And they might just thank you.