October 14, 2019

Au Lapin Agile, a trip back in time to a quintessential Parisian cabaret

Cabaret can mean two things in Paris. If you are looking for topless women, champagne, feathers and lots of glitz, head for the Moulin Rouge, Lido de Paris or Crazy Horse and their glamourous ilk in Montmartre.

If you want something less expensive, very musical and a little bit retro, head for Au Lapin Agile for “poèmes et chansons (poems and songs)” and shots of cherry house wine.

Cassita, resident chanteuse Au Lapin Agile

Lapin Agile Owner Yves Mathieu

There is a resident group of professional singers who lead group sing-alongs and perform mini-sets of their own throughout the evening. Everything is in French but those who do not speak the language can enjoy the familiar melodies and soak up the timeless atmosphere with paintings covering the walls as they sit at wood tables that very well may be ancient.

The little house cabaret has existed since 1860 when it was first named Rendezvous for Thieves followed by Cabaret for Assassins.

In 1875, Artist Andre Gill painted a rabbit jumping out of a sauce pan thereby giving the venue its new name, Gill’s Rabbit. Before 1900, the title evolved into the Agile Rabbit or Au Lapin Agile, a delightful historical play on words.

The great cabaret artist Aristide Bruant (immortalized by Toulouse Lautrec) bought the club after the turn of last century and created a meeting place for struggling yet creative luminaries such as Picasso, Modigliani, Apollinaire and Utrillo.

Some of the current excellent performers include Patrice and Oona, a singer-songwriter duo, singer guitarist Gerard Caillieux, baritone Frédéric, the son of the current owner, Jean-Claude Orfali, pianist extraordinaire and Cassita, a clarion-voiced accordionist who summons up the spirit of Piaf.

If you want to brush up on your French before a visit, here is a page of lyrics from group songs sung at Au Lapin Agile.

au-lapin-agile.com/paroles/

This September, Au Lapin Agile was kind enough to let us bring Cabaret Connexion 2019 to their venue on their off night. David Edelfelt and I presented our Porter in Paris show with guest stars Jacques Protat, Jean-Jacques DeLaunay and Ava Logan, followed by Paris Qui Chante featuring Christine Steyer, Jean-Claude Orfali, Mylène Launay, Maryline Rollet, Francoise Miran and resident chanteuse Cassita. Angelina Réaux, Claudia Hommel and Anne and Mark Burnell were guest stars in the regular Friday show later in the week.

David & Elizabeth playing at Lapin Agile 9-19

A few words of advice, use the restroom before you are seated because making that trip once the show has started is problematic. If you want a beverage besides the cherry wine, order that at the beginning of your evening. For those who have trouble sitting on hard benches, opt for one of the banquette seats lining the walls.

The current owner since 1972, host and singer Yves Mathieu and his family have been have keeping the flame alive by including French song favorites from the last hundred years all the way back to folk songs from the 15th century. Bravo, Yves and family!

For the real heart of Montmartre and perhaps of musical Paris, an hour or four at Au Lapin Agile is what the doctor prescribes.

Tuesday to Sunday, 9pm-1am
Cash payments only
22 Rue des Saules, 75018 Paris France

Here is the English site for visitors, but the French site has more info.

au-lapin-agile.com/1-au-lapin-agile-anglais/

au-lapin-agile.com

Van Gogh, Starry Night Art Experience in Paris

After two different ex-pats in Europe urged me to catch the Van Gogh, Starry Night art exhibit in Paris, I took notice. This was indeed no ordinary art exposition, but an Art Music Immersive Experience at the Atelier des Lumieres in the 11th arrondissement near the Père Lachaise Cemetery.

L’Atelier des Lumieres, the first digital center for art in Paris, opened in 2018 with a show featuring the work of Gustav Klimt. Would that I had a time machine to catch that show now. Bing images will have to suffice.

The current show featuring Vincent Van Gogh’s work is an otherworldly mix of his painted images from faces, to furniture, to landscapes to the famous starry night painting. Van Gogh’s brush strokes are almost palpable; his handwriting is even scrolled across the 140 video projectors throughout the former iron foundry.

An incredible sound system surrounds you in music of various types while you soak up the Van Gogh images. The soundtrack includes Janis Joplin, Nina Simone, Maria Callas, Miles Davis, Die Moldau by Smetana and an eerie version of Mozart’s Piano Concerto in C Major. However disparate the musical pieces are, they all seem to complement the enchanting visuals.

Some people choose to sit or stand in one area while viewing the multi-media presentation while others meander through the industrial space. There is a mosaic lined water pool on view below the main floor, a balcony and two additional viewing rooms, one round, the other glass or mirror-lined.

Two shorter eye-popping films play between the periodic Van Gogh program, Dreamed Japan, Images of the Floating World and Verse by Thomas Vanz but the real draw is Van Gogh, Starry Night (La Nuit Étoilée). The Atelier des Lumieres site recommends to plan for an hour in the space.

If you or someone you know is going to be in Paris through Dec. 31, 2019, please suggest they catch this impressive art and music experience. Admission may not be purchased at the venue, so order your tickets on-line. 14.5 Euros per adult and well worth it.

The official site: https://www.atelier-lumieres.com/en/van-gogh-starry-night

If you can’t attend, here are Bing images from the Van Gogh show:

https://www.bing.com/images/search?q=van+gogh+exhibit+paris+2019&id=D0FAA86B1F68580C3D995F75F91BB7BE1E83B1B4&FORM=IQFRBA

Les Misérables at Cadillac Palace Theater

Les Misérables is back for a brief run at the Cadillac Palace in a lovely Cameron Mackintosh production of the now classic musical.

1980 was the year of the Paris premiere, with a French libretto and score by Alain Boublil, Claude-Michel Schonberg, Herbert Kretzmer and Jean-Marc Natel. With the original creators, James Fenton, Trevor Nunn and John Caird adapted the book and lyrics into English for a London production in 1985. The show made its Broadway debut in 1987. Audiences have been going to the theater world-wide to watch people be miserable in song ever since.

This production boasts scenery, lighting and costumes that are inspired by the paintings of Victor Hugo, the author of the French literary epic. The familiar score is ably sung by the cast.

Let me add a word on the vocal style. The cast members are basically using a hybrid of classical singing and Broadway belt which can sometimes be over-amplified and harsh sounding. This is the fashion of musical theater today however. Down the road, I would love to hear a production of Les Misérables with operatic performers using a bel canto approach.

Many people wrongly assume that the musical is set during the French Revolution which started in 1789. A guy named Napoleon ruled from 1804 to 1814. The play starts in 1815 and culminates in the June Rebellion of 1832 when many of the play’s characters are killed in a street conflagration. Boublil and Schonberg actually wrote an earlier musical called La Revolution Francaise which played in Paris in the early 1970s. My French history nerd persona is showing. Pardon me!

If you like or even love Les Misérables, this production would be a worthy use of your time and money. Through July 27, 2019.

Next up at the Cadillac Palace Theater are:
Come From Away, July 30 through August 18,
followed by The Band’s Visit, September 3 through 15.

www.broadwayinchicago.com/show/les-miserables/

The Show Must Go On at Davenport’s, Sat., Feb. 2

Edelfelt and Doyle in DeLovely: A Cole Porter Tribute will be joined by world class guitarist John Moulder along with bass player Andy Danckers and drummer Ed Koehler

Our sold out show in November convinced us that we had to do this special program again. In the interim, I broke my wrist last Friday, but what better antidote for pain is there than timeless MUSIC?

This is a unique show that allows David and Elizabeth to both show their vocal and piano skills in solos and duets. Many of these numbers were performed by Doyle and Edelfelt with Charles Troy at the Elkhart Jazz Festivals of 2017 and 2018. Every song in the show contains either Porter’s brilliant wit or his deep knowledge of human emotion. There are songs you will recognize and some lesser known gems, plus Edelfelt’s clever parody lyrics on a couple of selections. Spoiler alert: there is one song with Porter lyrics, married to the lovely music of Chicago-born Ann Hampton Callaway.

Elizabeth & David with Charles Troy at the Elkhart Jazz Festival

The stage will be a little tight since we felt the show would benefit from having bass and drums provided by the wonderful Andy Danckers and Ed Koehler respectively. Because Elizabeth does not currently have use of her right hand, guitar wizard John Moulder has kindly agreed to augment our musical band to five.

Check him out at: https://johnmoulder.com/

Snow, ice and cold weather will be very far away in Davenport’s back room as you bask in the musical glory of Cole Porter, lovingly sung and played by Edelfelt, Doyle and cohorts. Here is your invitation to make reservations now.

http://davenportspianobar.com/events/elizabeth-doyle-and-david-edelfelt/

Divas Lynne Jordan, Ty Cooper, Claudia Hommel and Elizabeth Doyle at Open Door Theater this Saturday night! Joined by bassist Jim Cox.

Our theme is April In Paris, but our show will be packed with variety. We have blues, jazz standards, originals, spoken-sung story songs and French/English classics all done by the amazing Lynne Jordan, Ty Cooper, Claudia Hommel and yours truly, Elizabeth Doyle. Bass player, Jim Cox adds a little musical testosterone.

For tickets to April In Paris at the Open Door Theater:

http://www.opendoortheater.net/tickets-calendar

If you have not experienced the Open Door Theater, you are in for a treat. People have said it’s an intimate jewel of a theater with good acoustics and close-up sight lines for all audience members. The Theater sponsors comedy troupes, theatrical productions and music events so come check it out. Saturday night would be the perfect time!
April In Paris? No, April in Oak Park!

To find out more about the Open Door Theatre in Oak Park, please visit: http://www.opendoortheater.net/

Blossom Dearie and Bob Dorough

At the passing of singer-songwriter Bob Dorough, known for writing jazz standards and music for Schoolhouse Rock, it is worth noting his connection to Blossom Dearie who would have been 94 this week, the same age of Dorough who died this past week.

Dearie moved to Paris in 1952 and sang in a jazz vocal group called the Blue Flames with Michel Legrand’s sister, Christiane and none other than Bob Dorough. They had a hit with a French version of Lullaby of Birdland arranged by Michel Legrand.

Rocket ahead a couple of decades, and you find Dorough and Dearie working together again on Schoolhouse Rock which was initially broadcast on tv from 1973 to 1985. Blossom sang songs written for the educational show by Dorough: Mother Necessity, Figure Eight and Unpack Your Adjectives.

I recently heard her a handful of Dearie recordings on the Amazon show, The Marvelous Mrs. Maisel. That ethereal voice of Dearie lives on!

And if you were wondering where she got that distinctive name, someone delivered peach blossoms to their home on the day of her birth 94 years ago. Blossom was her middle name but it became part of her stage name. Dearie passed in 2009 at age 85.

Several years back, I took a songwriting seminar with Bob Dorough at the Old Town School of Folk Music. Dearie came in to see me perform at the Pump Room when she was in Chicago for a gig. Dorough and Dearie were both consummate performers and songwriters. I was blessed to have met and admired both of them.